GRANDMASTER LEO M. GIRON
Last of the Bladed Warriors
Grand Master Emeritus Leo Giron
was born in Bayambang, in the province of Pangasinan, Phillipines. He was a
World War II veteran and was awarded the Bronze Star medal amongst many other
citations. As the head advisor and also the founder of Bahala Na Martial Arts
Association, he was world renown as the Father of Larga Mano in America. Until
the last day of his life, Grans Master Giron was active and teaching along with
Grand Master Antonio E. Somera at the home base school in Stockton, California.
His knowledge of jungle warfare was an invaluable asset to those that trained
with him. His appearance was that of a humble man with the character of a
distinguish college professor. Grandmaster Giron talked, looked and carried
himself with an uncommon class and style. There was something distinctive about
him. Maybe was something you only get when you fight against men whom would like
to take you life away.
Q: When were you inducted into
the Army?
A: I was inducted on October
9, 1942 this was in Los Angeles California because prier to this I was farming
in Imperial Valley California. I was first stationed at Camp San Luis Obispo,
and then in the winter of the same year I was transferred to Fort Ord.
Q: How were you selected to be
in the 978th signal service company?
A: Well, everyone was brought
into a big room it was the recreation room on base this is where were was given
an aptitude test. Many did not pass and they were sent back to their regimens
others made it and were given additional education on Morse code. The Army was
looking for specific types of men. They were looking for men with schooling and
how well they could communicate including speaking English. I was one of the
few that made it.
Q: What was your training
experience like in the Army?
A: During boot camp we also
went to school. We were learning communications like Morse code, wig-wag (flag
signals), cyma four, cryptography and paraphrasing. I was trained to
communicate. At the time I did not know what the Army was planning for me to
do. We were never told why we were training; you just did what the Army told
you to do.
Q: What type of self-defense
training did you receive from the Army?
A: We learned all the basic
training needed for soldiering. Nothing special just how to shoot a carbine,
how to use a .45 and some basic hand-to-hand combat. I was fortunate to learn
escrima as a child and later after coming to America with one of my most
influence teachers Flaviano Vergara. Flaviano is the man that taught me the
most about escrima and how to defend myself. In fact I met Flaviano a second
time in Fort Ord during which time we would play on weekdays after dinner on the
weekends while everyone went into town. Flaviano and I would do nothing but
drill and drill using estilo de fondo and larga mano. Sometimes a soldier would
come by and ask what were we doing? Some would tell us that they would never
come close to a Samurai sword. They claimed they would give the Samurai a load
of their M-1.
Q: How were you first
experiences with the art of Escrima?
A: It was very interesting because as kids every time we – my friends and me -
heard the ‘click, click, click’ of knives, we would be playing under the mango
trees and the trail would be guarded. I sneaked away to watch. Later, we paid so
many bundles of straw and rice for our lesson. My family didn’t know. I was
carrying a bundle or rice when my father asked me about it and I told him I was
going to take it to my uncle; we were going to make cakes!
In one of my first training session my instructor told me: “take you bolo and
let’s do some training. Don’t worry about hurting me because I’ve been fighting
for a long time. Cut me anytime you can. If you touch me you’ll get a month’s
pay.” That was the way you learned in those days. I learnt a lot about how to
use the environment for survival purposes. This is a very important aspect,
especially when you’re fighting in the jungle. You need to know how to maximize
every tree, every bush, the smallest help may be what you need to save your
life.
Q: Would you please tell us
about all your instructors and the system they taught you?
A: I had five teachers and I
will give them to you in order and what style they passed onto me.
1. Benito Junio from the barrio
of Inerangan town of Bayombang province of Pangasinan, Luzon Philippines. In
1920 I started my education in arnis escrima. Benito Junio was famous for his
larga mano (long hand-stick) and fondo fuerte (fighting in a solid position)
styles.
2. Fructuso Junio from the
barrio of Telbang town of Bayombang provice of Pangasinan, Luzon Philippines.
From 1921-1926 I continued my training with Fructuso uncle to Bentio. Fructuso
Junio was well-known for his Macabebe or two-stick fighting. Fructuso was the
first to share with Giron the importance of distinguishing between the old (cada-anan)
and new (cabaroan) styles of Luzon.
3. Flavian Vergara from Santa
Curz in Llocos Sur Luzon, Philippines. Vergara was the top student of Dalmacio
Bergonia who defeated the great champion Santiago Toledo. Vergara and I started
our training in the prune orchards of Meridian, Calif., from 1929-1932. Vergara
and Giron would meet again directly after the outbreak of World War II. Our
lives would cross for the last time in October 1942 when I was shipped out to
Fort Ord, Calif. Every spare minute Vergara and I would train until I was
shipped out in January, 1943. Vergara was a master in the Bergonia style and
very proficient in the estilo elastico (rubber band style). I always thought
that Vergara had superhuman abilities. Vergara influenced me a lot and his
understanding of the relationships between the cada-anan (old) and cabaroan
(new) styles of arnis escrima.
4. Beningo Ramos from Kongkong
Bayongbang. During World War II Ramos was a sergeant in the Filipino army
assigned to me. Pryor to the outbreak of World War II Ramos was an improbable
arnis escrima teacher and was respected as one of the best estilo matador
(killer-style) teachers in Luzon. Ramos was an expert in larga mano, miscla
contras, tero pisada, tero grave and elastico styles. Ramos was so confident of
his skills that he and I would play with live bolos. Ramos bet me that if I
could hit him he would give me one month’s pay. I never collected a cent from
Ramos.
5. Julian Bundoc from the
barrio of Carangay town of Bayombang provice of Pangasianan, Luzon Philippines.
Julian was cousin to Benito Junio. Julian Bundoc and I would play more of the
combative larga mano and work on conditioning the body. Julian Bundoc was also a
master of hilot or massage. We trained in Stockton from 1956-1961. One of my
teachers named Flaviano Vergara had the most influence on me and helped me
greatly in developing my system.
Q: How many systems or methods
comprise your own personal method and what are their characteristics?
A: I’m well-known around the
world for my larga mano style of escrima. But this is just a small piece of the
entire Giron arnis escrima system. The Giron system has 20 styles and techniques
that are just as effective and just as complete.
Q: When did you decided to go overseas?
A: On December 10, 1943 two of
us were shipped to New Guinea but this was a mistake by the Army we were suppose
to go to Australia. So on January 10, 1944 I was sent to Australia to a place
called Camp X. It was close to the little town of Beau Desert about 60 miles
from the seaport of Brisbane in Queens land. It was there that I furthered my
training in Morse code, cryptography, visual communications, etc. I also
embarked on my final training in jungle warfare in a place called Canungra.
Thirteen weeks of hard training contributed to my ability in climbing the high
mountains of the Philippines and surviving in the jungles. At one time for a
weeks period we were given only 3 days of sea rash sons and the other 4 days we
were to survive on our own. At this point I was Staff Sergeant.
Q: Did you ever meet General
Douglas Macarthur?
A: Yes, several times but on
August 10, 1944 I was ordered to a briefing at the General’s Headquarters.
General Macarthur crossed his arms and said to us, “boys, I selected you to do a
job that a general can’t do. You have the training to do a job that no one else
can do. You are going home to our country, the Philippines – yours and my
homeland. You’ll serve as my eyes, my ears, and my fingers, and you’ll keep me
informed of what the enemy is doing. You will tell me how to win the war by
furnishing me with this information, which I could not obtain in any other way.
Good luck, and there will be shinning bars waiting for you in Manila”.
Q: How did you landed in the
Philippines?
A: August 12, 1944 we boarded
one of the smallest submarines in the United States Navy armada. The US Sting
Ray, we were loaded and armed with carbines, sub machine guns, side arms, bolo
knives, trench knives, brass knuckles ammunition and a few other special
packages. While on our way to the Philippines we slept on our own cargo boxes.
Myself and one other soldier slept under the torpedo racks. There was one time
when we were fired upon and had to out maneuver several torpedoes at full
speed. This occurred near the Halmahera Island on the Celebes Sea. One other
time when we were attack was in Caonayan Bay just before disembarking the
submarine. The attack was in the sub marine when a plane had dropped depth
charges on us. They came close enough to rattle the sub and burst some pipes
but luckily this was the extent of the damage. We landed on the beach on August
28, 1944.
Q: What was the most memorable
encounter you had with the enemy?
A: Well it is hard to try and
choose one particular encounter because they were all very horrifying. One
bonsai attack comes to mind, in early June 1945 on a rainy day a large size of
enemy charged against our position. We would form in wedge or triangle
formation, two on the side and one as point man, I was point man. Just like any
Bonsai charge the enemy was always noisy. Yelling and shouting, they are not
afraid to die. The Filipino guerrillas on the other hand chew their tobacco,
grit their teeth and wing their bolos, chop here, jab there long bolos, short
daggers, pointed bamboo, pulverized chili peppers with sand deposited in bamboo
tubes to spray so the enemy cannot see. By now by adrenaline must have gone up,
one bayonet and samurai sword came simultaneously. The samurai sword was in
front of me while the bayonet was little to the left. With my left hand I
parried the bayonet, I blocked the sword coming down on me, the bayonet man went
by and his body came in line with my bolo when I came down to cut his left hip.
The samurai was coming back with a backhand blow. I met his tricep with the
bolo chopping it to the ground. After the encounter I wiped my face with my
left hand to clear my eyes from the rain and found bloodstains on my face. The
boys told me, blood sir I felt the twitch on the meaty part of my left palm when
I parried the bayonet. I didn’t know I was cut. There were many more
encounters. But our job was not to be detected by the enemy; our mission was to
send back vital information of the enemy to head quarters.
Q: When did you start teaching
the art of arnis escrima?
A: In October 1968 I decided to
open a club in Tracy, California, where I was residing at the time. I was
motivated after I heard on the news that a man in Chicago killed eight nursing
students and some of the nurses were Filipina’s.
Q: Why did you name your
Martial Art Association “Bahala Na”?
A: It was the slogan of my
outfit during World War II. I am proud of the men I fought with during World
War II and in the spirit of my comrades; I hold the memories of all of those I
fought with in very high regard and close to my heart. I also can associate the
combative spirit we had during the time of World War II and because of this I
feel I have the right to use the slogan of “Bahala Na” by the way it means “come
what may”.
Q: What makes a good student?
A: A person with good passive
resistance. You must have patience and not be to egger to win and be the
champion. What he should be interested in is to learn how to defend himself and
his family against aggression and the end result will be that you will survive
this makes you victorious. You do not need to say I am going to win and defeat
my opponent the attitude is that I am going to survive and not get hurt that’s
what will count, the other man will eventually fall into a loophole were he will
fall by himself and eventually he will defeat himself.
Q: Do you feel that your
experience during World War II in the jungles of the Philippines help you to
become a better teacher.
A: I know the respect of the
bolo knife, Wartime is different. There is no regard for life. It’s different
teaching; you must have structure and good communications with your students. I
like to teach more about the application and fundamentals, its not about how
hard you hit or who is faster, its about sharing the art of our forefathers,
because if you analyze it we are only the caretakers of the art for future
generations.
Q: Why do you still teach
escrima?
A: Well first it’s a hobby. I
have the chance to stretch my legs work my arms and exercise my body. I feel it
is a gift to be able to learn a combative art like escrima and being that it
falls in the field of sports it is good to have and know something that not to
many people know. I feel proud that I have something to share with the children
my friends and those that want to learn an art that is a little different than
other martial arts. I feel that the Filipino art is a superior art in
comparison to other arts, so I stand firm in saying that I am proud that I have
learned and still know the art of escrima.
Q: In the past there has been
many masters that have had fought in death matches, Have you ever fought in any
death matches?
A: No, I have never fought in a
death match. From what I understand, in order to participate in a death match
you will need to have a referee and a second or back up person in your corner
something similar to a boxing match. The only type of death match I had it was
during World War II. This is were I fought in the jungles for over a year, not
knowing if we would survive. Our weapons of choice were the bolo knife or
Talonason a long knife it’s over all length was 36 inches long. No referee, no
rules the only rule was to survive.
Q: What’s your advice to the
martial art practitioners?
A: It seems to be
an unstoppable growing mentality of the ‘fighting’ in the martial arts
community. I fought for my life in a real war, and that’s not pleasant.
Practitioners should focus on the general benefits of martial arts from
self-defense to a way of life instead of trying to be a ‘deadly fighting
machine’. We should strive to be better human being. That’s the final goal of
any martial art, to preserve life, not to destroy it.
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